History, Art and Architecture Collection
O-604
painting (portrait)
False portrait of Samuel de Champlain

O-604
painting (portrait)
False portrait of Samuel de Champlain

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painting (portrait) Photo gallery for False portrait of Samuel de Champlain photo 1

Specifications

Artists Théophile Hamel (Artist)
Date 1870
Signature T.H.p 1870.
Inscriptions
Samuel de Champlain 1567 - 1635
Materials paint, oil
Support canvas
Personal Names Samuel de Champlain
Dimensions (cm) 66.2 (Width)86.7 (Height)2 (Thickness)
Functions Art
Barcode 603475
Photo gallery for False portrait of Samuel de Champlain photo 2 Photo gallery for False portrait of Samuel de Champlain photo 3

False portrait of Samuel de Champlain

If Théophile Hamel’s 1870 portrait of Samuel de Champlain bears any actual resemblance to Champlain himself, the likeness is certainly accidental. Hamel’s painting is based on an 1854 lithograph attributed to Louis César-Joseph Ducornet that was at one time considered an authentic portrait of Champlain. However, art historians now agree that the lithograph was inspired by a portrait of Michel Particelli d’Emery, an advisor to Cardinal Richelieu in the court of Louis XIII, engraved two hundred years earlier by Balthasar Moncornet. In fact, no reliable likeness of Champlain is known to exist, despite the important role he played in Canadian history.

Champlain was born in France, likely in 1570. He served in the French militia before embarking on his first voyage to North America in 1603. Over the next thirty years, he travelled thousands of kilometres along Canada’s inland waterways, drawing detailed maps and publishing books filled with his observations about the land and its inhabitants. He formed diplomatic alliances with First Nations peoples near modern-day Quebec City and established a permanent base there to facilitate the fur trade. This laid the foundations of New France, and Champlain would serve as the colony’s lieutenant governor until his death in 1635.

Théophile Hamel

Théophile Hamel was born in 1817 in Sainte-Foy, Quebec, and studied art in Quebec and in many of the great cultural centres of Europe. He was an astute business man and a tremendously successful artist, and the National Gallery of Canada calls him “one of early Canada’s greatest portrait painters.” In 1853 the government of the United Canadas appointed him official portrait painter, and tasked him with creating portraits of all Speakers since 1791, many of which were copied from portraits held by families or elsewhere. His subjects also included the generals Montcalm and Wolfe, and many other eminent figures of early Canada.